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Nate Maxson
The artist's space.
Murder Two, Winter 2015
Crow Hollow 19
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About the poems:
I've written a series of poems that deal with Latin aphorisms in a similar manner. I've been working on a collection about the later music and life of Claude Debussy just before and during World War 1 and this poem will tentatively be part of that. The Latin, to some extent, is an affectation mimicking some of the poetry from that era. "What Will Be Remembered" also touches on some of my ideas about quantum physics, it asks a question that isn't there. It's like Schrodinger's question mark, the two different ways of using the word "What" in a context like this.
What Will Be Remembered
The cartographers and the surgeons,
They decide
Implicitly
What will be remembered
The romantics and the exhibitionists opening themselves up wide for the cameras,
The prodigies
Never make it out, once they enter the camouflaged crematorium it’s lights out for the obvious
and the unmasked
Best hire a professional to carve it into your skin
Feudal expressions in gothic lettering like
Terra Incognita
The unknown land
HIC SUNT LEONES
Here be lions
The white line where the stitches were removed, like a flaw in a pearl
Mare Incognitum
The unknown oceans
I won’t let them take my wisdom teeth while I’m asleep
The last crumbs from the miracle,
Masquerade of anesthesia
The moment they reach inside
The old languages reduced to a smirk
What will be remembered
What will be
Implied in the humming of modest lightning rods
An inheritance of sterile hummingbirds